" ... small sculptures, monumentally big, closed, overflowing with ripe emotion, from inner suffering, from calm consideration-fixed in their simplification of form and full of rich divisions of surface. The nature is simplified as it were and the human body appears protracted and erected in awkward gestures. Yet, what an exceptional rhythm of surfaces and lines-also in the contorted renderings of the body, how this carries out the expression to a high power. Because Minne in no way seeks the "beautiful" line, the balancing equilibrium, the classic beauty and the comfortable admiration. There lies a wonderful, difficult to explain power in the sculptures of Minne-in the kneeling, the left and right stiff bowing figures..." With these words Karel van de Woestijne typified the work of George Minne (1866-1941), undoubtedly one of the most well-known symbolist sculptors in Europe. His modern spirituality, situated on the medieval mythic of Jan van Ruusbroec (1293/94-1381), fit in well with the attempts of the contemporary avant-garde towards what moved the soul. Many admirers in the time see in the stylised art of Minne also a revival of the Gothic. Continue reading on this page.